This is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. I make these claims as a member of a chorus taught to speak the praises of Phoebus and Diana.]. It has been read as a genuine expression of the poet’s support for the new regime, a piece of necessary hackwork imposed on the poet by his all-powerful protector, or a blatant and lamentable example of toadying, but in no case has it been read as a powerful work of art in its own right. Here the poet is shielded from harm and has the power to confer that invulnerability on Caesar and his minister, whereas in the extrapoetic universe it is just the opposite. The princeps is both its sponsor and a creature of the vatic imagination that creates it. English. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. This is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. for choral performance at the Ludi Saeculares, the Secular Games. Review "In this lucid, appreciative study, Putnam revindicates the Carmen Saeculare as a 'neglected masterpiece' of Augustan literature." Putnam justly observes the limitations of such views and argues instead that “the quality of the Carmen itself is evidence enough to disprove [them]” (4). Chapter 2 examines Horace’s work in Books 1-3 of the Odes to establish both the poetic context of the Carmen and its specific difference from the lyric form as Horace first conceived it. Buy Horace's "Carmen Saeculare": Ritual Magic and the Poets Art by Putnam, Michael C. J. In the end, the imaginative and ideological are not so much opposed as dialectically co-constitutive, a fact which the greatest politicians, poets, and, yes, even critics have always recognized. He seeks to make the case that the Carmen Saeculare is an unjustly neglected masterpiece of Latin poetry that has too often been dismissed as mere propaganda or damned with faint praise. See search results for … A carmen was originally any kind of poem or verse that could be ritually chanted. Such is the magic of poetry, and, as Putnam notes, such too is the primary claim to fame of the Carmen Saeculare. By Michael C. J. Putnam. Published by Yale University Press, 2011. for choral performance at the Ludi Saeculares, the Secular Games. Horace's Carmen Saeculare: Ritual Magic and the Poet's Art | Michael C. J. Putnam | download | B–OK. The poem concludes with an affirmation not of Augustus’ power but of that of the poet himself: Haec Iovem sentire deosque cunctos spem bonam certamque domum reporto, doctus et Phoebi chorus et Dianae dicere laudes. Vis consili expers mole ruit sua [“strength devoid of counsel falls of its own weight”] (3.4.65). Yet, here the valences have been reversed. AbeBooks.com: Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art: 0300083335 crisp clean w/light shelfwear/edgewear - may have remainder mark Fast and free shipping free … Shop by category. Find all the books, read about the author, and more. Get this from a library! Chapter 4 expands on earlier observations regarding the unique structure of the Carmen Saeculare among the hymns in Horace’s lyric corpus. Horace's Carmen saeculare : ritual magic and the poet's art / Michael C.J. It brought to pass that which it spoke. The others were mere fictions of performance. Rather than the poet inviting the public realm into his private locus amoenus, here the poet recreates the public realm as his own. Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art: Ritual Magic and the Poet's Art eBook: Putnam, Michael C. J.: Amazon.com.au: Kindle Store Seeks in the new Augustan dispensation ” ( 122 ) will function as the standard commentary on text. N. 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